Antonio Vivaldi The relationship of the composers in tonight’s concert to Venice is of two kinds: resident and itinerant. Foremost of the residents was Antonio Vivaldi, whose influence was spread not only directly by students such as Pisendel, the greatest German violinist of his time, but also through his widely circulated published works printed both in Venice and Amsterdam. Johann Sebastian Bach, for example, “studied with Vivaldi” by copying and transcribing his concertos from a print of L’Estro Armonico, Op. Vivaldi’s now-ubiquitous Four Seasons ( I quattro stagioni) were but four concertos of the twelve published in Amsterdam as (“The Contest Between Harmony and Invention”), Op. Unusual for the period, his Seasons are program music, musically representing the imagery of sonnets he wrote to accompany each of them. Call Recording Software For Cisco Call Manager Attendant Console. Ethernet Usb Driver Mac. The sonnet for “Autumn” can be found on page 15 of this program.
Tommaso Albinoni was another native Venetian, but, unlike most of his contemporaries, not dependent on a musical career for a livelihood. (Sadly, his present-day reputation is based largely on a single dubious work, heavily schmaltzed and orchestrated.) Albinoni’s instrumental publications, like Vivaldi’s, circulated widely, also coming to the attention of Bach in Weimar. The other resident Venetian virtuoso, Giuseppe Tartini, founded a violin school in nearby Padua, a part of the Venetian Republic. His admiration of Veracini’s playing led him to sequester himself until he could develop a new bowing technique, which he then exported all over Europe through his many students. Of the itinerants, Venice was an obligatory stop on concert tours of virtuosos such as Pisendel and Francesco Maria Veracini, both of whom arrived from the Dresden court orchestra of the Elector of Saxony, Friedrich Augustus.
